EP: "Escapades"

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EP: "Escapades"

Today I’m releasing the first Digisaurus EP since 2015, “Escapades.” The EP is made up of the first four singles I released this year in the 2018 monthly single series:

1. Escapades
2. Knocking Heads
3. A Simple Way
4. I Need You

You can listen to/buy the EP at the following places:

Spotify: http://hyperurl.co/60anf3
Apple Music/iTunes: http://hyperurl.co/lj816v
Soundcloud: http://hyperurl.co/2yzoxi
On CD in my online store: http://hyperurl.co/lvj3rg

It’s also probably available on any other streaming service you might use.

I’m very proud of these songs, and I’d be remiss not to bring up everyone involved in creating them. Dennis Tanner, Jeremy Fina, Ben Rohletter, Jeff Martin, Eric Groseclose, and Derek Ultican all had a hand in the writing and performance of these songs. Mike Landolt guided us through a long journey in the production and mixing process as my co-producer, engineer, and mixer. And Noelle Campbell provided the distinctive artwork, for this EP and all the singles, that I think captures the mood of them perfectly. I may be operating as a solo artist right now, but it takes a lot of people to create the music. So thank you to these people for taking that journey with me.

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Single #5: Don't Call Me, Diana

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Single #5: Don't Call Me, Diana

Before I get into my latest single, “Don’t Call Me, Diana,” I’d like to let you know that I’ll be releasing the first four singles from my 2018 single series as an EP called “Escapades.” It’ll be available on CD and online. There’s more of a structure to this single series developing. The first four singles were actually written together, as are “Don’t Call Me, Diana” and the next three, the last four, etc.  I’ve been trying to think about how I want to release the singles as bigger collections, and I know some prefer to listen to music in a larger format than stand alone songs. Because of the way the songs were written and how they play thematically, splitting them up into three EP’s makes sense…

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Single #3: Escapades

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Single #3: Escapades

Aloha. Before I write about the third single in the single series, I just want to say that the first leg of my Spring Tour was fantastic. Thank you to everyone who made it out and the venues and staff who made all the shows so wonderful. It felt great to play some new material and I’m excited for leg two to kick off at the end of the month.

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February Single: "I Need You"

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February Single: "I Need You"

It's March already. The first couple of months of 2018 have flew by and it’s been a very interesting year so far. After recently ending a three year relationship, I moved into a garage by Venice Beach at the beginning of February. I’ve found the environment and my situation quite…inspiring. Venice is probably a shell of the former counter culture mecca it was in the 60’s through the 80’s. Money and expensive organic grocers moved in, tech offices have set up, etc. But while it’s lost some of it’s edge, it still retains a lot of the seediness and beauty that makes it feel like…well, Venice. Walking through the canals or along the boardwalk has given me plenty of time to ponder, reflect, and focus on writing as I continue this year long monthly single series. 

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New Single & Tour Dates

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New Single & Tour Dates

Happy Thursday everyone. Just a quick post this week to let you know I just released the 2nd single in my 2018 Single Series yesterday. "I Need You" and it's b-side, "Linger" are now available everywhere you stream music. Take a listen here...

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January B-Side: "Correcting a Fool"

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January B-Side: "Correcting a Fool"

B-side’s have always been fascinating to me. Growing up in the UK in the 90’s, singles actually were still quite a strong source of sales in the music industry. It was dominated by the very popular CD format at the time. I would buy these with my pocket money, and it never occurred to me that the 2nd and sometimes 3rd songs on these CD’s had a name until I started to get very into Oasis around the age of 12. I was about 50% integrated into US culture at the time, and after a period of flirting with the likes of Blink 182, Limp Bizkit, Korn, and DMX (essentially required listening if you were born in 1987, in the 6th grade, and living in suburbia), I let my intense British pride take hold as my friends were moving into the likes of Linkin Park and Jay Z. I started festering in a world of Blur, Travis, Coldplay (Radiohead was a bit too advanced for me then) and for some odd reason, Craig David (I insisted to my American school mates he would be the next big thing). But it was Oasis who really grabbed me...

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January Single: "Knocking Heads"

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January Single: "Knocking Heads"

“Knocking Heads” is the first single I’m releasing in my monthly single series for 2018. And it’s come a long way since I wrote it...all the way back in 2013. Along with releasing these songs monthly, I’m going to try and keep up with this blog by giving you some context to the music I’m putting out there. I’ve given that some credence on here in the past, but it’s been recently spurred by how I’m currently consuming music...

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2018 Single Series

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2018 Single Series

Now I've had a few weeks to reflect, 2017 was an interesting year. I didn’t hear people specifically cussing it out like they did with 2016. But was it that much better? Politically, instead of the election, we had year one of the Trump presidency. I don’t need to write any more about that. On the music hero death front, I’m not really sure how the count stacked up between the two years, but we lost quite a few of the greats again. On a more personal note though, it was quite fascinating for me. I travelled around the country a couple more times playing shows. I moved, again, this time to LA. But there was something I forgot to do: release new music.

I actually wrote and recorded quite a lot in 2017. But when it came to releasing those recordings, I had so many questions. How was I going to put it out? How was I going to build up the release?  Who was going to make the videos, the artwork, etcetera? And you know what these questions led to? Paralysis.

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Creative Juice

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Creative Juice

I feel like I’ve been saying this for four months, but I’m finally feeling settled in my new home in LA. Since I’m only back here for about a month and a half, I’ve really wanted to dive into things creatively and see where this city takes me. My goal has been to get away from social media, e-mails, planning, etc. and just focus on music. I got a small rehearsal/production room (when I say small, I mean it’s 5’X7’) in North Hollywood, and it’s the first time I’ve treated myself to the idea of an office outside of my house. My commitment has been to wake up each day at a reasonable time, shower, get dressed, eat breakfast, and be out of the house by 8:30AM to go to the studio or meet up with other artists.

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Summer Tour Thank you

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Summer Tour Thank you

Summer has come and gone. Kind of. I live in Los Angeles now, so I have a feeling my Summer may be extended a couple of months this year. But our Summer tour is over, and with that I'm finally getting situated. I've been off the road for a couple of days now and it's still quite amazing to call a place with palm trees everywhere home.

I'll be back with some new videos and in depth blogs next week once I'm done moving. But for now, big thanks to all the familiar faces who came out and showed us a good time this Summer. And to all you Digisaurus newbies, it was great to meet you. I also want to give a big shout out to Eric and Jeff who held it down so well on the bass and drums again over the past few months.

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The moment the Earth went dark

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The moment the Earth went dark

I've been going in and out of different moods over the last couple of weeks. An over-stimulated, over-connected, and cantankerous mind can sometimes feel lost and succumb to the pressures around it. At some point, I started to blame any negative emotion on mercury retrograde after reading an article that convinced me anything going wrong was due to some astrological phenomena. Luckily, another such event snapped me out of that way of thinking.

The most revelatory experience on this tour had to have been last Monday in Corvallis, Oregon when we got to experience the solar eclipse in totality for a minute and forty seconds. Just a week before, we were struggling to figure out what to do on the days surrounding the event. A show originally scheduled in Prineville had been pulled. Despite this, the booker still offered up his place for us to stay at and watch it. But we quickly realized the logistical nightmare of getting to a town with a one lane road going in and out and being invaded by thousands of people . After making some concessions and succumbing to the fact that we might be fine with 98% totality, we found a cheap motel in Oakland, OR thanks to a friends employee discount (seriously, it saved our asses. everything was going for $600+ dollars even this far south of totality). 

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Gear Guide: Ableton Live Tutorial

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Gear Guide: Ableton Live Tutorial

This week, I’m launching the first of my “Gear Guide” tutorial series with a deeper dive into my Ableton set-up on my YouTube channel. You can watch that after this intro, but to accompany my new videos, I’m going to be posting a typed out version of each tutorial so that you have a resource to look things up outside the video. You can find the typed tutorial below the video in this post!

Before I go into all that though, just a little housekeeping. I realize these tutorials mainly apply to a certain subset of my fans who are musicians, producers, or just really into gear. So I want to be doing these in tandem with my regular blogs that focus on musicianship, technology, creativity, writing, and yes, sometimes politics. This is the first tutorial I’ve ever made, and it was harder to do on the road than I originally anticipated. Since next week is the last week of our Summer tour, the next tutorial will not be coming out until the first full week of September, likely on Thursday. This will give me some time to return to my regular musings next week while we finish up the tour. Starting in the second week of September, I’ll be trying to keep up with both simultaneously on a weekly basis. 

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Gear Guide: A Live Rig Overview

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Gear Guide: A Live Rig Overview

We have the day off today and I'm sitting in a laundromat waiting for my clothes to dry. I was very proud of myself this time because I separated my darks and lights and ran 2 washes: a hot and cold one. I left to run a couple of errands, and when I got back I discovered that some old todger had accidentally ran my cold wash a second time through a hot cycle. There's no point in even trying. Next time it's all going in one load.

Anyway, enough with the life lessons. Last week I touched on my touring regimen and adapting my show to be flexible to play in different environments. I'm launching the first in a series of gear guides on my YouTube Channel next week that explores my live set up in depth. I often give people tours of it at shows, and it helps give everyone an idea of what I'm actually doing on stage. My goal with this series is to replicate and give you that experience online. I also want to give any musicians out there a sense of what technology's available and ideas about how your can improve your live rig. I'm also looking for feedback on how I can improve my set up. 

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How and why to tour in 2017

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How and why to tour in 2017

A couple weeks ago I wrote about the musician's conundrum of making enough money in music. It opened up some comments from other musicians that have done what I'm doing touring wise, not made enough money, and ultimately gave up on their touring schedule and ambitions. For the past year and a half, I've been playing small rooms with the goal of gaining fans and meeting people who've never heard my music before. It's true. There's not a lot of money in doing that. You essentially hold no leverage with a venue and you're competing with many musicians and performers who would gladly play those rooms for free. In addition, I think people are much less inclined to venture out and discover music in a live setting than they were 20 years ago because the quality has dropped off so much. Thus, venues aren't paying much to artists on this level.

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Mid-Summer Rewind

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Mid-Summer Rewind

Hey everyone. We've got a week off from our tour, and I'm in LA trying to find an apartment. There won't be any new blog or videos this week, so I thought I'd do a little Mid-Summer review so you can catch up on anything you might have missed. I can't believe we're in August now, and thanks to those who came out to the shows in June and July. I'm really excited to hit the West Coast with Eric next week, and we'll see the rest of you soon.Click the title for more...

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A Musician's Conundrum

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A Musician's Conundrum

Last week I saw a Facebook post pop up in my feed that caught my attention. It came from a friend in the Columbus music scene, Dustin Rhinehart, and read:

“Q for my musician friends: Do you have a flexible source of income that gives you the freedom to tour/travel/dedicate enough time and energy to your art? Or are you limited by a job/career which only allows you to do the weekend warrior thing?“

As I'm want to do, I neglected to respond to this post. Sorry Dustin, Facebook just isn't a place where I like to spend much time discussing anything. But I was curious in other people’s responses, so I hit "turn on notifications for this post" and laid back as I waited for the solution of all solutions to present itself. Unfortunately, I can't say it did. But the myriad of replies presented a great case study of how music and art takes on very different roles in people's lives.

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Long Live Nathan P. Muphy's

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Long Live Nathan P. Muphy's

Welcome back to the blog everyone. What became a weekly rambling earlier this year was put on the back burner with the challenge of a forty day solo tour and moving to Los Angeles. And like healthy eating, working out, and other good habits, it's funny how quickly something can disappear from your routine all together. Sitting down to coalesce my thoughts has proven to be an exercise I just couldn't muster recently.

After a playing a couple weeks of shows in the Northeast this past June, I’m jolting around the Midwest this month. A few of nights ago we stopped at a venue called Nathan P. Murphy's in Springfield, Missouri. This was my second time at the club, and I always leave the place contemplating the path I'm on as a performer. So I felt compelled to get back into this blog by sharing the story of the venue and my experiences there....

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"Make a Move" Live at Thirty One West & Summer Tour!

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"Make a Move" Live at Thirty One West & Summer Tour!

The solstice has passed and we're now in the Summer of 2017. Kind of. I'm sitting in England right now and it's raining (no surprise there). I'm on a week long break from our Summer tour to catch up with some family over here, but the shows resume next week. One of our upcoming dates will be at the fantastic new venue, Thirty One West, in Newark, Ohio for a free show on July 6th. They were kind enough to have Jeff, Eric and I in a month ago to film a live rendition of "Make a Move" in their ballroom, and the video came out fantastic. You can watch that here, below, or on our video page:

We'll be hitting up plenty more spots this Summer. Peep the dates below or on our Live page, and we'll see you soon!

2017 Summer Tour Dates:

7/05 • Canton, OH • The Auricle
7/06 • Newark, OH • Thirty One West
7/07 • Cleveland, OH • CODA
7/08 • Toledo, OH • Ottawa Tavern
7/09 • Chicago, IL • Live Wire Lounge
7/11 • Iowa City, IA • Gabe's
7/12 • Ames, IA • DG's Taphouse
7/13 • Moorhead, MN • Garage Bar
7/14 • Trempealeau, WI • Trempealeau Hotel
7/15 • Minneapolis, MN • Driftwood Char Bar
7/16 • Lincoln, NE • Duffy's Tavern
7/17 • Springfield, MO • Nathan P Murphy's
7/18 • Topeka, KS • The Boobie Trap Bar
7/19 • Des Moines, IA • Lefty's
7/20 • Lawrence, KS • The Bottleneck
7/21 • Wichita, KS • Mead's Corner
7/22 • Wichita, KS • Pumphouse
7/23 • Norman, OK • Red Brick Bar
7/25 • Taos, NM • Adobe Bar
7/27 • Denver, CO • Your Mom's House
7/28 • Albuquerque, NM • Marble Brewery
7/29 • Tucson, AZ • Borderlands Brewing Co
7/30 • Bisbee, AZ • The Quarry
8/10 • San Luis Obispo, CA • Frog & Peach Pub
8/11 • Fresno, CA • Full Circle Brewing
8/12 • Vallejo, CA • The Hub
8/13 • Bolinas, CA • Smiley Schooner's
8/14 • Santa Cruz, CA • Bocci's Cellar
8/15 • San Francisco, CA • Revolution Cafe
8/17 • Pacifica, CA • Winter's Tavern
8/18 • Sacramento, CA • Yolo Brewing Co.
8/19 • Mckinleyville, CA • Six Rivers Brewing
8/21 • Cottage Grove, OR • The Axe & Fiddle
8/23 • Bend, OR • Astro Lounge
8/24 • Eugene, OR • Black Forest
8/25 • Portland, OR • Starday Tavern
8/26 • Hood River, OR • Trillium Cafe
8/27 • Seattle, WA • Victory Lounge
8/28 • Seattle, WA • The Central Saloon
8/29 • Eugene, OR • Old Nick's Pub
8/30 • Medford, OR • Johnny B's Rockin’ Diner
8/31 • Coos Bay, OR • 7 Devil's Brewing Co.
9/01 • Grants Pass, OR • The Haul
9/02 • Salem, OR • Vagabond Brewing
9/03 • Crescent City, CA • Port O'Pints Brewing Co.
9/04 • Folsom, CA • Nicholson's Musicafe

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Digital Reality Tour 2017: Mind over Matter

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Digital Reality Tour 2017: Mind over Matter

Lubbock, Texas. That's where I am right now. I'm taking a look at my tour spreadsheet and I've got some statistics on how I got down here. It's taken about 30 days to hit this most southern and western point on the tour. I've put 6,000 miles on the van so far and I'll be putting another 4500 on it to get back home over the next 10 days. I've spent close to 100 hours driving (I swear it seems way longer). Trying to think about each of those minutes individually is crazy. Much of that time has been taken up with listening to podcasts like The Joe Rogan Experience, Super Duty Tough Work, Waking up with Sam Harris, and S-Town. I've listened to the new Dirty Projectors album countless times, and totally neglected new Gorrilaz singles (I'm waiting for the new album next week!). And I've had a lot of time to just sit and think...like A LOT View Post>>>>

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